Electronic music

music that mainly employs electronic musical instruments, digital instruments and circuitry-based music technology
(Redirected from Electronica)

From Wikipedia, the free encyclopedia

"Young"
Single by Hollywood Undead
from the album Swan Songs
Released April 13, 2009
Recorded January–May 2008
Genre Nu metal
Length 3:16
Label A&M Octone
Songwriter(s)
  • Aron Erlichman
  • Danny Lohner
  • George Ragan
Producer(s)
  • Don Gilmore
  • Danny Lohner
  • Deuce
Hollywood Undead singles chronology
"Christmas in Hollywood"

(2008)

"Young"

(2009)

"This Love, This Hate"

(2009)

my name is Hezekiah kiza"Young" is a song by American rap rock band Hollywood Undead. It is the fourth single from their debut studio album, Swan Songs, and is the sixth track on that album. The single was released after the album's release on April 13, 2009, with a music video directed by Kevin Kerslake released the same day.[1]

Background

change

[edit] Following the release of their debut album, Swan Songs, in 2008, the album became certified gold by the RIAA and led to the release of five singles. The fourth was Young, which was released as a single on April 13, 2009, six months after the United States release of Swan Songs but a month before the worldwide release. Prior to the single's release, several seven-second teaser videos of the music video were released on the internet. The full music video, directed by Kevin Kerslake, was released on the same day as the single.

The song was included as one of 20 free songs downloadable to play for people who purchased new copies of Rock Band 2.

The song was also used in the trailer for the Xbox 360 and PC video game Velvet Assassin

Music video

change

[edit] On April 13, 2009, an official music video directed by Kevin Kerslake was released on iTunes. The video was later posted on the band's official website for viewing. The music video shows clips of Los Angeles and the band performing. The band is shown playing in a narrow hallway with no doors or windows, only photographs on all four walls. The photos show fans and others wearing their own homemade rendition of the Hollywood Undead masks. Quick cuts and fast moving camera shots are used while the band is performing around the hall. Johnny Three Tears raps both the first and second verses of the song with Deuce singing the chorus. A breakdown is placed after the second verse where choir girls sing angelic lines while the band raps between them.

In the parts that the band isn't performing, clips of various people and places are shown. The video begins with a distorted clip of an older man giving a speech over a classical piano tune. The man is shown behind of a pedestal with a phonograph microphone in front of three banners showing pictures of a grenade, a symbol for war. The image presented can be likened to World War II era videos of Adolf Hitler delivering oppressive speeches in front of the swaztika, to which the grenade flag itself strikingly resembles. The video progresses to show subliminal imaging of advertising and hate campaigns blaming youth for various things. Later in the video, images of doves are shown to be spray painted over the advertising in a rebellious fashion. The dove is the second part to the Hollywood Undead's symbol, "The Dove and Grenade", with the grenade standing for war and the dove for peace. The video pinnacles when all the images of fan's masks are shown in close up on the wall and fades out to the band ripping them all down and breaking free of the room. The video ends with Johnny 3 Tears forcibly removing the speech giver from the beginning of the video from his pedestal and he takes his place.

Reception

change

[edit]

Critical

change

[edit] When reviewing the Swan Songs album, reviewer Sir Wylie commented that, "Young is the best song ... which features driving guitars and actual singing so when the rapping comes in, [it] adds a nice dynamic instead of failing miserably. The song also features one of the catchiest choruses on the album and the layered vocals at the end just make it even stronger." Another review for Swan Songs by Brian Rademacher called "Young" "The track that will shoot Hollywood Undead to superstar status." Rademacher commented on the track, saying, "It is aggressive yet has chart busting qualities and the addition of two young choir girls makes this song have class. Near the end of the track, you have the two girls singing 'Till the angels save us all' and that sent chills down my neck." A reviewer for New Music Reviews called the track "Hard rock music at It's [sic] finest", and scored it a positive eight out of ten. Not all reviews were as positive, however. Palmer Eldritch of the British online music magazine, Die Shellsuit, Die!, gave the song a one out of a possible ten, calling it "airbrushed nonsense."

Commercial

change

[edit] The single reached a peak of number thirty-four on the Billboard Alternative Songs chart, spending eleven total weeks on the chart starting April 25, 2009.

Charts

change

[edit]

Chart (2010–2011) Peak

position

US Alternative Songs (Billboard) 34

Track listing

change

[edit]

Single
No. Title Length
1. "Young" 3:16
DJ CD (promotional release)
No. Title Length
1. "Young" 3:16
2. "Young" (new mix) 3:15

Personnel

change

[edit]

Hollywood Undead
  • Charlie Scene – background vocals, lead guitar
  • Da Kurlzz – background vocals, percussion
  • Deuce – bass guitar, engineering, keyboards, programming, vocals
  • J-Dog – background vocals, keyboards
  • Johnny 3 Tears – vocals
Additional
  • Josh Freese – drums
  • Ben Grosse – mixing
  • Billy Howerdel – additional engineering
  • Danny Lohner – engineering, programming
  • Paul Palavo – additional guitars

Certifications

change

[edit]

Region Certification Certified units/sales
United States (RIAA) Gold 500,000
Sales+streaming figures based on certification alone.

References

change

[edit]

  1. ^ Jump up to:a b c
  2. ^
  3. ^
  4. ^
  5. ^
  6. ^ Jump up to:a b
  7. ^
  • v
  • t
  • e

Hollywood Undead

  • J-Dog
  • Funny Man
  • Johnny 3 Tears
  • Charlie Scene
  • Danny
  • Shady Jeff
  • Deuce
  • Da Kurlzz
Studio albums
  • Swan Songs
  • American Tragedy
  • Notes from the Underground
  • Day of the Dead
  • Five
  • New Empire, Vol. 1
  • New Empire, Vol. 2
  • Hotel Kalifornia
Remix albums
  • American Tragedy Redux
Live albums
  • Desperate Measures
EPs
  • Swan Songs B-Sides
Singles
  • "Undead"
  • "Young"
  • "Everywhere I Go"
  • "Hear Me Now"
  • "Been to Hell"
  • "Coming Back Down"
  • "Comin' in Hot"
  • "My Town"
  • "Bullet"
  • "We Are"
  • "Day of the Dead"
Related articles
  • Discography
  • Revolt Tour

Categories:

  • 2009 singles
  • Hollywood Undead songs
  • Songs written by Danny Lohner
  • 2008 songs
  • A&M Octone Records singles
  • Music videos directed by Kevin Kerslake
  • This page was last edited on 3 March 2025, at 06:51 (UTC).
  • Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.

After World War II, when tape recorders had been invented and were becoming popular, composers started to use them to make music. The tape recorder was needed for the performance. Composers used them to combine lots of different sounds. Sometimes it was music played on ordinary (acoustic) instruments which was then changed in some way by the tape recorder. Sometimes they took sounds from everyday life such as the sound of water, traffic noise or bird song. All these noises were put together in the way the composer wanted by using the tape recorder. Tapes of sounds were often cut into pieces, then the pieces were 'spliced' – put back together in a different order. The results were often very interesting, but there were problems. Some people asked: “Is it music?” Others thought it was boring to just look at a tape recorder during a concert instead of being able to watch live musicians play.

Composers in Paris were experimenting with electronic music in the 1940s. They called it “Musique concrète” because they used natural, concrete sounds. (“Concrete” in this sense meant the opposite of “abstract” music which was written down for performance). The sounds were played back at different speeds, combined in lots of ways, played backwards or played continuously (repeated in a 'loop'), or played into a mixer and re-recorded onto another tape recorder. The sounds could be filtered. Effects such as vibrato or echo could be added. Sometimes composers used synthesizers which were machines that could make electronic music in real time. They sounded more like normal instruments than the sound effects on a tape recorder.

Computers have often been used for composing electronic music.

Classical music

change

Composers who have used these ways of making music include John Cage (1912-1992), Bruno Maderna (1920-1973), Pierre Boulez (1925-2016), Karlheinz Stockhausen (1928-2007), Martin Garrix (2009-2019) with songs like "Pizza", "Forever" and "Scared to be lonely". Very often composers combined electronic music with ordinary instruments being played.

Rock music

change

Bands like Twenty One Pilots, Taylor Swift, and Vance Joy among many others employ electronic sounds amongst their music.

Rap music

change

Kendrick Lamar, Eminem, Lil Wayne and many other have added electronic music into their rap music.

Pop music

change

In popular music, the use of electronics to create new sounds began in the 1960s. Producer Joe Meek and inventor Bob Moog both expanded the range of sounds that could be used in pop music, and by the end of that decade electronics had become accepted in the industry. In the next few years the work of people like Giorgio Moroder, Jean-Michel Jarre, Brian Eno and Kraftwerk made electronic music famous.

In the early 1980s electronic music became fashionable, and bands like New Order, The Human League, Pet Shop Boys and Depeche Mode became famous. Sometimes these bands would mix electronic music with rock music.

In the 21st Century electronics are so much a part of popular music that using it is no longer strange - in fact, many artists use nothing else.

EDM music

change

A subgenre of electronic music is electronic dance music, or EDM. Electronic dance music is a form of electronica which is generally made with the intention of being danced to, thus making it generally club-friendly and often (but not always) up-tempo in nature. Whilst a lot of electronic genres are also classified as EDM, not all forms of electronic music fall within the specific category. Examples of EDM genres include post-disco, deep house, techno, Eurodance, trance, trip hop, drum and bass and dubstep, as well as several others.

In 2018, Billboard released a market statistic that proved the value and worth of the electronic dance music market. In this statistical statement, the company shows a 12-percent growth within one year where many changes took place with this musical revolution. One of the biggest helpers in this EDM market growth was YouTube.[2]

Other genres of music

change

All sorts of genres of music even whale songs, ambient music, sounds of nature and sound effects have been distorted by some electronic sound, also to record sounds from space astronauts use electronic equipment to compress noise into a singularity.

References

change
  1. "YoungBoy Never Broke Again", Wikipedia, 2025-04-26, retrieved 2025-04-30
  2. "EDM Statistics 2019 - Electronic Dance Music Facts, Stats & Trends 2017-2018". Low Tone. 2017-08-26. Retrieved 2020-10-23.