white priming or ground made of chalk, gypsum, burnt gypsum, zinc oxide, or whiting mixed with glue or occasionally casein, used to prepare wooden panels or other supports for painting, gilding, or other decorative processes

Gesso is a primer or foundation for art painting on wood or canvas. It is a white paint mixture. It has a binder mixed with a pigment. Traditionally, the binder is glue or gelatin, the pigment is chalk, plaster or gypsum.[1]

Acrylic gesso

Gesso is used in art to prepare a surfaces (wood panels, canvas and sculpture) for painting. Paint and/or other materials are applied on top of the gesso. One reason for covering the surface with gesso is that wood or canvas has a rough or uneven surface, and a colour. Gesso "priming" lets the artist's chosen subject show more clearly than it would otherwise.

Even if a surface has no roughness, many artists still prime it before starting the painting proper, though they might use a paint or "wash" of their own choosing. They do this because the primer, though it cannot be seen directly, may change and help the quality of light reflected from the surface. Gesso, however, is specially useful for a rough or uneven surface.

Acrylic gesso


Acrylic gesso, a widely used "ground", is a modern version which is cheaper and easier to use than the traditional type of gesso.[2] It is a combination of calcium carbonate with an acrylic polymer medium latex, a pigment and other chemicals to ensure flexibility and increase life. It is technically not gesso at all.[3][4]p321

The Painter's Handbook notes a problem with using oil paints over an acrylic gesso ground instead of a traditional oil ground, citing a mismatch in flexibility over time that could cause the oil paint to delaminate (flake off).[4]p60


  1. Thompson, Daniel Varney. The materials and techniques of medieval painting, p32. [1]
  2. Tolley, Elizabeth. Oil painter's solution book: landscapes: over 100 answers to your oil painting. p28 [2][permanent dead link]
  3. Friel, Michael. 2010. Still life painting atelier: an introduction to oil painting. Random House, p58. [3]
  4. 4.0 4.1 Gottsegen, Mark David The painter's handbook: a complete reference. [4]