Altarpiece of Saint George

polyptych attributed to the Master of the Centenar

The Altarpiece of the Centenar de la Ploma or Altarpiece of Saint George of the Centenar de la Ploma is a large-scale international Gothic style altarpiece made around 1400 by Andreu Marçal de Sax and Miquel Alcanyís on behalf of the company of the Centenar de la Ploma and which symbolizes the battle of the Puig that took place in 1237. Currently, and following the acquisition made in 1864, the work is in the Victoria and Albert Museum in London .

Altarpiece of Saint George

Context change

In 1237, during the conquest of the kingdom of Valencia, James I had gained control of the fortification of Puig Castle . With his troops weakened due to the conquests, he received the warning of a counterattack by the Muslim forces, in this way he marched towards Catalonia to gather more troops, leaving Guillem Aguiló in charge. In his absence, the Muslim king Zayyan ibn Mardanix attacked the fortification. During the battle, while part of his troops were fighting the Muslims, Guillem Aguiló advanced from behind the hill sounding numerous trumpets and carrying flags taken from nearby ships, with the royal pennant at the head, making the Muslims believe that it was of James I arriving with an army. According to Bernat Desclot's Chronicle, at that moment Saint George appeared with his own army of knights, allowing the Christians to win the battle. [1]

History change

On June 3, 1365, Pere the Ceremonious created the militia of the Centenar de la Ploma, initially called the Centenar of the Glorious Sant Jordi. After the Church of Sant Jordi in Valencia was consecrated on May 27, 1401, the Centenary commissioned an altarpiece for this church, which was made sometime between 1400 and 1420. [1] [2] Due to its dimensions and complexity, the work probably had several authors, mainly Marçal de Sax and Miquel Alcanyís, but also very likely Johan Utuvert and Gonçal Peris . [1] [3] In 1740 the altarpiece was still in the church, but it was demolished in 1807 and the altarpiece was lost until it appeared in Paris in 1864, dismantled in several pieces. [2] After a period of negotiation, the altarpiece was bought by the South Kensington museum in London for 800 pounds or 20,000 francs, a high price for a work of this nature at the time. [1] Since then, the altarpiece has been exhibited in that museum, now called the Victoria and Albert Museum . [1]

In 2010, negotiations began with the London museum for a temporary return of the altarpiece to Valencia, but ultimately they did not succeed. [4]

In 2019 the predella of the altarpiece, the part most in need of restoration, arrived at the Museum of Fine Arts in Valencia to be restored and analyzed, it remained on display between 2020 and 2021. [5] The restoration lasted for a year and a half and made it possible to recover the original colors and brightness. [6]

Gallery change

References change

  1. 1.0 1.1 1.2 1.3 1.4 Miquel Juan, Matilde (2011). "El gótico internacional en la ciudad de Valencia | el retablo de san Jorge del Centenar de la Ploma". Goya: Revista de arte (in Spanish). 336: 191-213. ISSN 0017-2715.
  2. 2.0 2.1 "Retaule Centenar de la ploma". ValenciansUK (in Catalan). 2021-07-02. Retrieved 2023-10-30.
  3. Alfons Garcia valencia (2011-10-16). "Un nuevo autor para el "Centenar de la Ploma"". Levante-EMV (in Spanish). Retrieved 2023-10-30.
  4. "Per què el retaule que narra el naixement dels valencians està a Londres? - Diari La Veu" (in Catalan). Retrieved 2023-08-19.
  5. "El Retaule del Centenar de la Ploma". Generalitat Valenciana (in Catalan). Retrieved 2023-10-30.
  6. Plaza, Ediciones (2020-11-20). "Radiografía de una restauración: la predela del Centenar de la Ploma ya 'brilla' en València". Cultur Plaza (in Spanish). Retrieved 2023-10-30.

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