Umberto Pettinicchio
Umberto Pettinicchio (born 1943) is an Italian painter and sculptor.[1] He was born in Torremaggiore, a town in Apulia. Later, he moved to Milan. In Milan he studied art at the Accademia di Brera.[2] He had his first exhibition in 1969.[3] His early paintings were in the expressionist style. His later paintings were more abstract.[4] His 1981 painting The Death of the Bull is held in the Museo de Arte Moderno y Contemporáneo de Santander y Cantabria.[5]
Umberto Pettinicchio was trained at the Brera Academy and in 1969 he began to exhibit in his first solo exhibitions, including at the Nuova Sfera, Milan, 1973 (curated by Carlo Munari), in 1977 at the Rome Triptych, in 1974 at Il Castello di Milano, in 1975 (edited by Raffaele De Grada). In 1976 Pettinicchio opened his Milan studio in via Bolzano, where he produced some of his important works with which he achieved international fame.
In the 1980s, he was always present at the most important exhibitions (at the Salotto di Como in 1980, at Il Castello di Milano in 1981, at Il Mercante di Milano in 1982), and was also enriched by important Spanish exhibitions (Sargadelos, Barcelona, 1982 , Piquio, Santander, 1982, at the VIII Madrid Biennial, 1983).
Style
changeThe artist Umberto Pettinicchio has often dealt with the human figure in his pictorial research, initially in an expressionist style. Subsequently, his pictorial style becomes more and more abstract until finally reaching the Informal. Only a vaguely perceptible appearance remains of the figure, while, from a formal point of view, everything is distorted in the artist's pictorial gestures. Pettinicchio's gesture breaks the dimensional planes and transforms the human figure into a shapeless matter marked by large black lines. The one carried out by Pettinicchio seems a kind of brutalist operation in the vein of a Jean Dubuffet, but while the French gave much more importance to the subject, our artist solves everything through pictorial writing.
Related pages
changeReferences
change- ↑ Carella, Elvira (31 January 2010). "Le colline della Brianza e i suoi stupendi campanili sono la mia ispirazione". Il Giorno. Retrieved 8 March 2017 (in Italian).
- ↑ Genova, Giorgio Di (2007). Storia dell'arte italiana del '900. Edizioni Bora. p. 1451.
- ↑ Los Cuadernos del norte. Caja de Ahorros de Asturias. 1983. p. 103.
- ↑ Scantamburlo, Elisabetta (curator). Catalog: Milano Art Design, 21 May–30 October 2015, p. 24
- ↑ Museo de Arte Moderno y Contemporáneo de Santander y Cantabria. Umberto Pettinicchio.
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