She was the daughter of a tweed designer. Her father's work had an effect on her use of colour and texture in her paintings. "I do with a spot of red or yellow in a harmony of grey, what my father did in his tweed", she said. She went to France during 1920 – 1933.
- Altar in Pigna Archived 2006-01-17 at the Wayback Machine
- National Galleries of Scotland Archived 2007-03-12 at the Wayback Machine
- Still Life with Two Figures[permanent dead link]
- Tate Gallery