User:Immanuelle/Amoghapasha

Statue of Amoghapasha found in Padang Roco, Dharmasraya Regency [en; User:Immanuelle/draft; fr], West Sumatra province of Indonesia.

Amoghapasa [ja; fr; id; jv; zh] ( IAST : Amoghapāśa ) is a bodhisattva and one of the manifestations or forms of Avalokiteśvara [en; User:Immanuelle/draft; fr] (also Lokeshvara ), who can take on a feminine or masculine aspect. His name in Sanskrit means “he who has the unshakable cord (amoghapasha)” ; this lace which he generally holds in one hand represents his power to fish out lost beings far from the path. Its Chinese name is Bukongjuansuo Guanyin不空羂索觀音, Japanese Fukūkensaku Kannon [1] . This name literally means Amoghapāśa-avalokiteśvara .

The oldest known text mentioning him is Amoghapasha hridaya sutra translated into Chinese by Jnanagupta in 587, which became the first chapter of a work describing the various rituals concerning him, Amoghapasha kalparaja . Its first known figures date from the VIII century. century . He is most often represented with four, six or eight arms, and sometimes four servants including Tara and Hayagriva [en; User:Immanuelle/draft; fr] [2] .

At the Kasuga-taisha shrine in Nara, he is said to be the same as the Shinto god of martial arts Takemikazuchi-no-mikoto [en; User:Immanuelle/draft; fr], probably because he wears a deer skin which was the god's mount in Nara. [3]

Equivalents

change

Kasuga no Kami [simple; en:draft; ja] has five components each of which has a corresponding Buddha.[4]

Shrine facility Shinto part Buddhist part
first hall[5] Takemikazuchi-o [en; User:Immanuelle/draft] Amoghapasa [ja; fr; id; jv; zh][6]
second hall[5] Futsunushi [en; User:Immanuelle/draft] Bhaisajyaguru [en; User:Immanuelle/draft]
third hall[5] Ame no Koyane [en; User:Immanuelle/draft] Kṣitigarbha [en; User:Immanuelle/draft]
fourth hall[5] Himegami [en; simple] Ekādaśamukha [en; User:Immanuelle/draft]
Wakamiya Shrine[7][8] Ame-no-Oshikumone [ja; en; simple; fr] Manjushri [ja; en; User:Immanuelle/draft] or Avalokiteśvara [en; User:Immanuelle/draft].[9]

Notes and references

change
  1. aussi Fukūkenjaku Kannon
  2. J A Schoterman Ancient Indonesian Sculpture, Marijke J. Klokke &Pauline C. M. Lunsingh Scheurleer, p. 154-157
  3. Allan G. Grapard The Protocol of the Gods: A Study of the Kasuga Cult in Japanese History, University of California press p. 82-83
  4. Ten Grotenhuis, Elizabeth (1999). Japanese mandalas : representations of sacred geography. University of Hawai'i Press. ISBN 0824820002. OCLC 39181008.
  5. 5.0 5.1 5.2 5.3 "Main Sanctuary". www.kasugataisha.or.jp. Archived from the original on 2019-06-24. Retrieved 2019-03-28.
  6. https://kuscholarworks.ku.edu/bitstream/1808/17426/1/Fowler.pdf
  7. https://www.mlit.go.jp/tagengo-db/common/001559851.pdf
  8. "Wakamiya Shrine | Search Details". Japan Tourism Agency,Japan Tourism Agency. Retrieved 2024-03-20.
  9. Giolai, Andrea (2020-09-22). "Encounters with the Past: Fractals and Atmospheres at Kasuga Wakamiya Onmatsuri". Journal of Religion in Japan. 9 (1–3): 213–247. doi:10.1163/22118349-00901002. ISSN 2211-8349.