Universal Studios (sometimes called Universal Pictures or Universal City) is one of the major American movie studios that has production studios and offices at 100 Universal City Plaza Drive in Universal City, California, an unincorporated area of Los Angeles County between Los Angeles and Burbank. Distribution and other corporate, administrative offices are based in New York City. Universal is the very first major studio in Hollywood (Universal's ownership partner of NBCUniversal Entertainment Japan—which distributes anime by Universal worldwide—is the oldest).
|Founded||April 30, 1912(as Universal Film Manufacturing Company)|
|Headquarters||10 Universal City Plaza, Universal City, California, United States|
|Revenue||US $4.239 billion (2011)|
|US $27 million (2011)|
Decca Records (1952-1962)
MCA Inc. (1962-1996)
Vivendi Universal Entertainment (2000-2004)
The English used in this article or section may not be easy for everybody to understand. (February 2012)
The founder of Universal, Carl Laemmle, was a German Jewish immigrant, settled in Oshkosh, Wisconsin, where he managed a clothing store.
On a 1905 buying trip to Chicago, he was struck by the popularity of nickelodeons.
In June 1909, Laemmle started the Yankee Film Company with partners Abe and Julius Stern. That company was quickly renamed the Independent Moving Picture Company, or IMP. In 1910, he actively promoted Florence Lawrence, then known as the "Biograph girl", and she became one of the first film stars to be used by a studio in its marketing.
On June 8, 1912; Laemmle merged IMP with eight smaller companies to form the Universal Film Manufacturing Company, introducing the word "universal" into the organization's name. Among them were Mark Dintinfass, Charles Baumann and Adam Kessel, and Pat Powers. The name was later changed to Universal Pictures Company, Inc.
Following the westward trend of the industry, in 1915, Laemmle opened the world's largest motion picture production facility, Universal City Studios, on a 230 acres (0.93 km2) converted farm just over the Cahuenga Pass from Hollywood.
In 1926, Universal also opened a production unit in Germany, Deutsche Universal-Film AG, under the direction of Joe Pasternak. This unit produced 3–4 movies per year until 1936, migrating to Hungary and then Austria in the face of Hitler's increasing domination of central Europe. With movies being able to have sound (those movies were called "talkies"), these productions were made in the German language or, sometimes, Hungarian or Polish. In the US, Universal Pictures did not distribute any of this subsidiary's movies, but at least some of them were exhibited through other, independent, foreign-language movie distributors based in New York, without benefit of English subtitles. Nazi persecution and a change in ownership for the parent Universal Pictures organization resulted in the dissolution of this part of the company.
The Laemmles lose controlEdit
Taking on the task of modernizing and upgrading a movie company in the depths of the Great Depression was risky, and for a time Universal slipped into receivership. The theater chain was scrapped, but Carl, Jr. held fast to distribution, studio and production operations.
The end for the Laemmles came with a remake of Show Boat, featuring many famous people from the Broadway stage version, which began production in late 1935. However, Carl, Jr.'s spending habits surprised company stockholders, especially after the costly failure of Sutter's Gold earlier in the year.
They would not allow production to start on Show Boat unless the Laemmles obtained a loan. Universal was forced to seek a $750,000 production loan from the Standard Capital Corporation, pledging the Laemmle family's controlling interest in Universal as collateral. It was the first time in Universal's 26-year history that it had borrowed money for a production. Production problems resulted in a $300,000 overrun. When Standard called the loan in, a cash-strapped Universal could not pay.
Show Boat was released in 1936 and is widely considered to be one of the greatest movie musicals of all time. However, it was not enough to save the Laemmles, who were removed from the company they had founded.
MCA takes overEdit
By the late 1950s, the motion picture business was in trouble. The combination of the studio/theater-chain break-up and the rise of television caused the mass audience to stop visiting theaters, probably forever. The Music Corporation of America (better known as MCA), mainly a talent agency, had also become a powerful television producer, renting space at Republic Studios for its Revue Studios subsidiary. After a period of complete shutdown, a moribund Universal agreed to sell its (by now) 360 acres (1.5 km2) studio lot to MCA in 1958, for $11 million. Although MCA owned the studio lot, but not Universal Pictures, it was increasingly influential on Universal's product. The studio lot was upgraded and modernized, while MCA clients like Doris Day, Lana Turner, and Cary Grant were signed to Universal Pictures contracts.
Though Universal's movie unit did produce occasional movies, among them Airport, The Sting, American Graffiti, and a movie that restored the company's fortunes, Jaws, Universal in the 1970s was primarily a television studio. Weekly series production was the workhorse of the company. There would be other movies like E.T: The Extra-Terrestrial, Back to the Future, and Jurassic Park, but overall the movie business was still hit-and-miss. In the early 1970s, Universal teamed up with Paramount Pictures to form Cinema International Corporation, which distributed movies by Paramount and Universal worldwide. It was replaced by United International Pictures in 1991, when Walt Disney Pictures joined the fold.
Universal, like any other major movie studio, owns a huge library.
The company owns the libraries of USA Films, October Films, and the 1996-1999 movies by PolyGram Filmed Entertainment (MGM owns most of the pre-1996 PolyGram library, though Universal owns a few movies from that time as well) and its subsidiaries, as well as (through parent NBC Universal) much of the post-1973 NBC library of shows and made-for-TV movies.
It also owns several movies made by others, including some pre-1952 United Artists material, an Alfred Hitchcock feature originally released by Warner Bros. - Rope, and the UK rights to most of the RKO Pictures library.
List of moviesEdit
Notes on early partnersEdit
In the early years of Universal, the company absorbed an amount of small firms. Among those early film-production studios (and their proprietors) were:
- Champion Motion Picture Co., Mark Dintinfass, president
- Nestor Motion Picture Company, David Horsley
- The New York Motion Picture Company, Charles Baumann and Adam Kessel, proprietors
- Powers Motion Picture Co., Pat Powers, president
- Rex Motion Picture Co., William Swanson
For several years some of these junior partners carried considerable weight within Universal; inevitably factions and rivalries were the rule. At least one version of corporate history claims that the twenty-year-old Irving Thalberg rose so quickly because he told subordinates that he alone spoke for Carl Laemmle in making production decisions, while the others were more concerned with battling among themselves.
Notes on sourcesEdit
- Bruck, Connie. When Hollywood Had a King. New York: Simon & Schuster, 1998.
- Drinkwater, John. The Life and Adventures of Carl Laemmle. G.P. Putnam's Sons, 1931, illustrated.
- Forest Lawn Hollywood Hills - map Providencial and Water Development
- Los Angeles Library Photo Collection "Bird-Eye View of Universal City" 1911
- Los Angeles Library Photo Collection "Nestor Studios" .
- Mordden, Ethan. The Hollywood Studios. New York: Fireside, 1989.
- McDougal, Dennis. The Last Mogul: Lew Wasserman, MCA and the Hidden History of Hollywood. New York: Crown Publishers, 1998.
- Schatz, Thomas. The Genius of the System. New York: Pantheon Books, 1989.
- Sklar, Robert. Movie-Made America. New York: Vintage, 1994.
- The Little Engine That Could (1991) (Kath Soucie, Frank Welker, and B.J. Ward)
- We're Back! A Dinosaur's Story (1993) (John Goodman, Rene LeVant, and Felicity Kendal)
- An American Tail (1986) (Phillip Glasser, Amy Green, and John P. Finnegan)
- The Land Before Time (1988) (Gabriel Damon, Candace Hutson, and Judith Barsi)
- Jurassic Park (1993) (Sam Neill, Laura Dern, and Jeff Goldblum)
- Babe (1995) (James Cromwell, Magda Szubanski, and Brittany Byrnes)
- Beethoven (1992) (Charles Grodin)
- Jaws (1975) (Roy Scheider)
- Smokey and the Bandit (1977) (Jackie Gleason and Burt Reynolds)
- How the Grinch Stole Christmas (2000) (Jim Carrey, Taylor Momsen, and Jeffrey Tambor)
- Balto (1995) (Kevin Bacon, Bob Hoskins, and Bridget Fonda)
- The Flintstones (1994) (John Goodman, Rick Moranis, and Elizabeth Perkins
- Back to the Future (1985) (Michael J. Fox)
- Curious George (2006) (Frank Welker, Will Ferrell, and Drew Barrymore)
- Despicable Me (2010) (Steve Carell, Jason Segel, and Russell Brand)
- The Nutty Professor (1996) (Eddie Murphy, Jada Pinkett, and James Coburn)
- American Pie (1999) (Jason Biggs)
- The Mummy (1999) (Brendan Fraser)
- Nanny McPhee (2005) (Emma Thompson, Colin Firth, and Thomas Brodie-Sangster)
- Airport (1970) (Burt Lancaster, Dean Martin, and Jean Seberg)
- The Little Engine That Could (2011) (Alyson Stoner, Whoopi Goldberg, and Patrick Warburton)
- Happy Tree Friends (1999) (Kenn Navarro, Aubrey Ankrum, Warren Graff, and David Winn)
- Nirvana (1987-1994) (Kurt Cobain, Dave Grohl and Krist Novoselic)