Zephyrus

In Greek mythology and religion, Zephyrus, also spelled in English as Zephyr, is the god and personification of the West wind, Spring, Fertility, Procreation, Hope, Rebirth, Luck, Flowers, Bees and Honey. One of the several wind gods, the Anemoi. The son of Eos, the goddess of the dawn, and Astraeus, Zephyrus is the most gentle and favourable of the winds, and is also associated with flowers, bees, honey, springtime and even procreation. In myths, he is presented as the tender breeze, and he is known for his unrequited love for the Spartan prince Hyacinthus. Although he along with Boreas are the two most prominent wind gods, their role in mythology is relatively limited.

Zephyrus
God of the West Wind, Spring, Fertility, Procreation, Hope, Rebirth, Luck, Flowers, Bees and honey
Zephyrus on an antique fresco in Pompeii
Greek	Ζέφυρος
Abode	Sky
Animals	Horse, swan
Personal information
Consort	Iris or Flora
Children	Pothos, Balius and Xanthus, Carpus, tigers
Parents	Astraeus and Eos
Siblings	Winds (Boreas, Eurus, and Notus), Eosphorus, the Stars, Memnon, Emathion, Astraea
Roman equivalent	Favonius

Zephyrus, similarly to his brothers, also received a minor cult during ancient times, although his worship was fairly minor compared to others and he was overshadowed by the more important gods such as the Twelve Olympians. Nevertheless, traces of it arefound in Classical Athens and surrounding regions and city-states, where it was usually joint with the cults of the other wind gods.

His equivalent in Roman mythology and religion is the god Favonius.

Zephyrus sire of horses

Zephyros was sometimes imagined as a equine god who sired horses. Homer, Iliad 16. 149 ff (trans. Lattimore) (Greek epic C8th B.C.) : "Xanthos (Xanthus) and Balios (Balius), who tore with the winds' speed, horses stormy Podarge [one of the Harpyiai (Harpies)] once conceived by Zephyros (Zephyrus) and bore, as she grazed in the meadow beside the swirl of the Okeanos (Oceanus)." Homer, Iliad 19. 415 ff : "[The horses Xanthos (Xanthus) and Balios (Balius), sons of Zephyros, speak :] ‘But for us, we two could run with the blast of the West Wind (Zephryos) who they say is the lightest of all things; yet still for you there is destiny to be killed in force by a god and a mortal.’" Quintus Smyrnaeus, Fall of Troy 3. 743 ff (trans. Way) (Greek epic C4th A.D.) : "Over the Okeanos' (Oceanus') streams, over Tethys' (the Sea Queen's) caverns, unto where divine Podarge bare that storm-foot twain [the immortal horses Xanthos and Balios] begotten of Zephyros (the West-wind) clarion-voiced yea." Quintus Smyrnaeus, Fall of Troy 4. 569 : "Arion the foal begotten by the loud-piping Zephyros (West-wind) on a Harpyia (Harpy), the fleetest of all earth-born steeds, whose feet could race against his father's swiftest blasts." Virgil, Georgics 3. 267 ff (trans. Fairclough) (Roman bucolic C1st B.C.) : "But surely the madness of mares surpasses all. Venus [Aphrodite] herself inspired their frenzy, when the four Potnian steeds tore with their jaws the limbs of Glaucus. Love leads them over Gargarus and over the roaring Ascanius; they scale mountains, they swim rivers. And, soon as the flame has stolen into their craving marrow (chiefly in spring, for in spring the heart returns to their breasts), they all, with faced turned to Zephyrus (the West Wind), stand on a high cliff, and drink the gentle breezes. Then oft, without any wedlock, pregnant with the wind (a wondrous tale!) they flee over rocks and crags and lowly dales, not towards your rising, Eurus (the East Wind), nor the Sun's, but to Boreas (the North Wind), and Auster (the North-West Wind), or thither whence rises blackest Notus (the South Wind), saddening the sky with chilly rain."

The Love of Zephyrus and Chloris

Ovid, Fasti 5. 197 ff (trans.Boyle) (Roman poetry C1st B.C. to C1st A.D.) : "I [the Roman goddess Flora] was Chloris (Flower), nymph of the happy fields [Elysion (Elysium)], the homes of the blessed (you hear) in earlier times. To describe my beauty would mar my modesty: it found my mother a son-in law god. It was spring, I wandered; Zephyrus (the West Wind) saw me, I left. He pursues, I run : he was the stronger; and Boreas gave his brother full rights of rape by robbing Erechtheus' house of its prize [Oreithyia]. But he makes good the rape by naming me his bride, and I have no complaints about my marriage. I enjoy perpetual spring: the year always shines, trees are leafing, the soild always fodders. I have a fruitful garden in my dowered fields, fanned by breezes, fed by limpid fountains. My husband filled it with well-bred flowers, saying : ‘Have jurisdiction of the flower, goddess.’"

Ovid, Fasti 5. 223 ff : "I [Flora-Khloris] first made a flower from Therapnean blood [Hyakinthos (Hyacinthus), love of Zephyros], and its petal still inscribes the lament."

Ovid, Fasti 5. 316 ff : "[Flora (Khloris) upset that the Romans were neglecting her worship :] I failed to guard the fields, and I neglected my fruitful garden. Lilies had fallen, you could see violets parched and tendrils droop on the crimson saffron. Zephyrus often said to me: ‘Do not ruin your dowry.’ My dowry was now worthless

Zephyrus , Iris & their son Pothus

The Lyric poets made Zephyros the father of Pothos (Passion) by Iris the rainbow. The imagery of rainbow (iris) and west wind (zephyros) symbolised the variegated brilliance of passion (pothos). It was also a play on the love story of Zephyros and Hyakinthos (Hyacinthus), who was tranformed into an iris-flower on his death--"iris" in Greek was the word for both the flower and the rainbow.

Alcaeus, Fragment 327 (from Plutarch, Dialogue on Love) (trans. Campbell, Vol. Greek Lyric I) (Greek lyric C6th B.C.) : "The most grim of gods [Eros (Love)], whom Iris (Rainbow) of the fair sandals bore, having lain with golden-haired Zephyros (the West Wind)."

Nonnus, Dionysiaca 31. 103 ff (trans. Rouse) (Greek epic C5th A.D.) : "The wife of jealous Zephyros (the West-Wind), Iris (Rainbow), the messenger of Zeus when he is in a hurry . . . Iris, goldenwing bride of plantnourishing Zephyros, happy mother of Eros (Love) [i.e. the eros Pothos]!"

Nonnus, Dionysiaca 47. 340 ff : "[Ariadne abandoned by Theseus on the island of Naxos laments :] ‘Who stole the man of Athens [Theseus]? . . . If Zephyros torments me [i.e. if the west-wind has carried away Theseus' ship], tell Iris the bride of Zephyros and mother of Pothos (Desire), to behold Ariadne maltreated.’

Zephyrus, Phaethin & the Swans

Philostratus the Elder, Imagines 1. 9 (trans. Fairbanks) (Greek rhetorician C3rd A.D.) : "[From a description of an ancient Greek painting depicting Erotes (Loves) riding swans in a marsh :] On the banks round about stand more musical swans, singing the Orthian strain [i.e. a high-pitched melody], I think, as befits the contestants. The winged youth you see is an indication that a song is being sung, for he is the wind Zephyros (the West Wind) and he gives the swans the keynote of their song. He is painted as a tender and graceful boy in token of the nature of the south-west wind, and the wings of the swans are unfolded that the breezes may strike them."

Philostratus the Elder, Imagines 1. 11 : "[From a description of an ancient Greek painting depicting the fall of Phaethon :] In his passion for driving [Phaethon] the son of Helios (the Sun) ventured to mount his father's chariot, but because he did not keep a firm rein he came to grief and fell into the Eridanos (Eridanus) . . . Now the youth is thrown from the chariot and is falling headlong--for his hair is on fire and his breast smouldering with the heat; his fall will end in the river Eridanos and will furnish this stream with a mythical tale. For swans scattered about, breathing sweet notes, will hymn the youth; and flocks of swans rising aloft will sing the story to Kaÿstros (Cayster) and Istros (Istrus) [rivers of Lykia (Lycia) and Skythia (Scythia)]; nor will any place fail to hear the strange story. And they will have Zephyros (the West Wind), nimble god of wayside shrines, to accompany their song, for it is said that Zephyros has made a compact with the swans to join them in the music of the dirge. This agreement is even now being carried out, for look! The wind is playing on the swans as on musical instruments."

Love of Zephyrus and Hyacinthus

Zephyrus and Hyacinthus | Athenian red-figure kylix C5th B.C. Zephyrus and Hyacinthus, Athenian red-figure kylix C5th B.C. Pausanias, Description of Greece 3. 19. 3 - 5 (trans. Jones) (Greek travelogue C2nd A.D.) : "On the altar [of Apollon at Amyklai (Amyclae) near Sparta] are wrought in relief . . . the Moirai (Moirae, Fates) and Horai (Horae, Seasons), and with them Aphrodite, Athena and Artemis. They are carrying to heaven Hyakinthos (Hyacinthus) and Polyboia (Polyboea), the sister, they say, of Hyakinthos, who died a maid. Now this statue of Hyakinthos represents him as bearded, but Nikias (Nicias), son of Nikomedes (Nicomedes), has painted him in the very prime of youthful beauty, hinting at the love of Apollon (Apollo) for Hyakinthos of which legend tells . . . As for Zephyros (Zephyrus), how Apollon unintentionally killed Hyakinthos, and the story of the flower, we must be content with the legends."

Philostratus the Elder, Imagines 1. 24 (trans. Fairbanks) (Greek rhetorician C3rd A.D.) : "[From a description of an ancient Greek painting depicting the death of Hyakinthos (Hyacinthus) :] A lout is Zephyros (Zephyrus), who was angry with Apollon (Apollo) and caused the discus to strike the youth [Hyakinthos], and the scene seems a laughing matter to the Wind-god and he taunts the god from his look-out. You can see him, I think, with his winged temples and his delicate form; and he wears a crown of all kinds of flowers, and will soon weave the hyacinth in among them."

Philostratus the Younger, Imagines 14 (trans. Fairbanks) (Greek rhetorician C3rd A.D.) : "[From a description of an ancient Greek painting depicting the death of Hyakinthos (Hyacinthus) :] The discus [lies] at his feet ((lacuna)) . . Eros (Love), is both radiant and at the same time downcast, and Zephyros (Zephyrus) , who just shows his savage eye from his place of look-out--by all this the painter suggests the death of the youth, and as Apollon makes his cast, Zephyros, by breathing athwart its course, will cause the discus to strike Hyakinthos."

Ovid, Fasti 5. 223 ff (trans.Boyle) (Roman poetry C1st B.C. to C1st A.D.) : "I [Khloris (Chloris)] first made a flower from Therapnean blood [the blood of Hyakinthos (Hyacinthus), love of Zephyros], and its petal still inscribes the lament."

Colluthus, Rape of Helen 240 ff (trans. Mair) (Greek poetry C5th to C6th A.D.) : "The shrine of Hyakinthos (Hyacinthus) [at Amyklai (Amyclae), Lakedaimon (Lacedaemon)], whom once while he played as a boy with Apollon the people of Amyklai marked and marvelled whether he too had not been conceived and borne by Leto to Zeus. But Apollon knew not that he was keeping the youth for envious Zephyros (Zephyrus). And the earth, doing a pleasure to the weeping king, brought forth a flower to console Apollon, even that flower which bears the name of the splendid youth."

Nonnus, Dionysiaca 3. 153 ff (trans. Rouse) (Greek epic C5th A.D.) : "On the learned leaves of Apollon's mournful iris was embroidered many a plant-grown word [i.e. the flower of Hyakinthos (Hyacinthus), which was marked with the Greek word for the cry of grief] ; and when Zephyros (Zephyrus) breathed through the flowery garden, Apollon turned a quick eye upon his young darling, his yearning never satisfied; if he saw the plant beaten by the breezes, he remembered the quoit, and trembled for fear the wind, so jealous once about the boy, might hate him even in a leaf: if it is true that Apollon once wept with those eyes that never wept, to see that boy writhing in the dust, and the pattern there on the flower traced its own ‘alas!' on the iris, and so figured the tears of Phoibos (Phoebus)."

Nonnus, Dionysiaca 10. 253 ff : "The deathbringing breath of Zephyros (Zephyrus) might blow again, as it did once before when the bitter blast killed a young man while it turned the hurtling quoit against Hyakinthos (Hyacinthus)."

Nonnus, Dionysiaca 11. 362 ff : "A young Lakonian (Laconian) [Hyakinthos (Hyacinthus)] shook Zephyros (Zephyrus); but he died, and the amorous Wind found young Kyparissos (Cyparissus) a consolation for Amyklaian (Amyclaean) Hyakinthos."

Nonnus, Dionysiaca 29. 95 ff : "Apollon bemoaned Hyakinthos (Hyacinthus), struck by the quoit which brought him quick death, and reproached the blast of Zephyros (the West Wind's) jealous gale."

Etymology

The ancient Greek noun ζέφυρος is the word for the wind that blows from the west. His name is attested in Mycenaean Greek as ze-pu₂-ro (Linear B: 𐀽𐁆𐀫), which points to a possible Proto-Hellenic form *Dzépʰuros. Further attestation of the god and his worship as part of the Anemoi is found in the word-forms 𐀀𐀚𐀗𐀂𐀋𐀩𐀊, a-ne-mo-i-je-re-ja, 𐀀𐀚𐀗𐄀𐀂𐀋𐀩𐀊, a-ne-mo i-je-re-ja, that is, "priestess of the winds", found on the KN Fp 1 and KN Fp 13 tablets.

Traditionally, 'Zephyros' has been linked to the word ζόφος (zóphos) meaning "darkness" or "west". Both in turn have been connected to the Proto-Indo-European root *(h₃)yebʰ-, meaning "to enter, to penetrate" (from which οἴφω (oíphō), meaning 'to have sex', also derives). It has been noted however that a development *Hi̯- → ζ- is unlikely, and most evidence in fact points to the contrary.

It could also be of pre-Greek origin, though Beekes is not sure either way. Due to his role as the west wind, his name and various derivatives of it were used to mean 'western', like for example the Greek colony of Locri Epizephyrii in southern Italy, west of Greece.

Family

Zephyr and Flora, c. 1720, by Antonio Corradini, Victoria and Albert Museum.

Parents

Zephyrus, like the rest of the wind gods, the Anemoi (Boreas, Eurus and Notus) was said to be the son of Eos, the goddess of the dawn, by her husband and first cousin Astraeus, a minor god related to the stars. The poet Ovid dubs the four of them 'the Astraean brothers' in reference to their paternity.

He is thus also brother to the rest of Eos and Astraeus's children, namely the five star-gods and the justice goddess Astraea. His mortal half-brothers include Memnon and Emathion, sons of his mother Eos by the Trojan prince Tithonus. The Athenian playwright Aeschylus however in his fifth-century BC play Agamemnon writes that Zephyrus is the son of the goddess Gaia (the mother earth) instead (the father, if one exists at all, is not named).

Consorts and offspring

Zephyrus with Chloris in Primavera by Sandro Botticelli, ca. 1470s-1480s, oil on canvas.

In Greek tradition, Zephyrus became the consort of Iris, the goddess of the rainbow and messenger of the gods. According to Nonnus, a late-antiquity poet, together they became the parents of Pothos, the god of desire, and according to Alcaeus of Mytilene (a six-century BC poet from the island of Lesbos), of Eros as well, though he is more commonly a son of Ares and Aphrodite. In the same passage, Zephyrus is described as having golden hair.

By the Harpy Podarge (who is Iris's sister) he became the father of Balius and Xanthus, the two fast, talking horses that were given to Achilles, when he mated with her while she was grazing on a meadow near the banks of the Ocean, implied in the form of a mare. Quintus Smyrnaeus also says that by a Harpy he had Arion, the talking horse. Like with the case of Eros, Arion's more common parentage is different, in this case the Olympians Demeter and Poseidon.

In some sources Zephyrus has a son named Carpus ("fruit") by a nymph Hora, who drowned in the Maeander river when the wind drove a wave right into his face, driving his lover Calamus into despair, who went on to take his life. According to Pseudo-Oppian, he also became the genitor of tigers by an unnamed consort.

Mythology

West Wind

Zephyrus relief from the Tower of the Winds, Athens.

Zephyrus, along with his brother Boreas, is one of the most prominent of the Anemoi; they are frequently mentioned together by poets, and along with a third brother, Notus (the south wind) they were seen as the three useful and favourable winds (the east wind, Eurus, seen as bad omen). They are the three wind gods mentioned by Hesiod, as ancient Greeks avoided talking about Eurus. Zephyrus and Boreas were thought to dwell together in a palace in Thrace.

In the Odyssey however, they all seem to dwell on the island of Aeolia, as Zeus has tasked Aeolus with the job of the keeper of the winds. Aeolus receives Odysseus and his wretched crew, and hosts them for a month gracefully. As they part, Aeolus gives Odysseus a bag containing all the winds, except for Zephyrus himself, who is let free to blow Odysseus's ship gently back to Ithaca; Odysseus's crewmates however foolishly open the bag, thinking it to contain some treasure, and set free all the other winds as well, blowing the ships back to Aeolia. Many years later, right after Odysseus left Calypso, the sea-god Poseidon in rage unleashed all four of them to cause a storm and raise great waves in order to drown Odysseus in the sea.

Zéphyr rapting Psyché, 1814 by Henri-Joseph Ruxthiel.

In the Iliad, Zephyrus is visited by his wife Iris in his home as he dines with his wind brothers to summon him, along with Boreas, so that they blow on Patroclus's funeral pyre following his death, as Achilles prayed for their help when the pyre failed to kindle. In the Dionysiaca, all four live together with their father Astraeus; Zephyrus plays sweet notes with an aulos for Demeter when she pays them a visit.

In the myth of Eros and Psyche, Zephyrus serves Eros, the god of love, by transporting his bride-to-be, the mortal princess Psyche with his soft breeze from the cliff she had been left in on an oracle's suggestion to Eros's palace. Later, he also helps rather reluctantly Psyche's two sisters transport the same way to the palace as well, when Psyche wishes to see them again. After Eros abandons Psyche over her betrayal, both sisters take advantage of the situation and each independently goes to the cliff (having both been lied to by Psyche that Eros wished to maker her his new wife), calling for Eros to make them his bride, and Zephyrus to take them to the palace. But this time Zephyrus does not act when they jump, and thus they both fall to their deaths, torn limb to limb and made food for the birds of prey and wild beasts below.

Zephyrus seems to have had a connection to swans; in Philostratus the Elder's works, he joins them twice in their song, once while they are carrying the Erotes and another when the young Phaethon is killed driving his father Helios's fiery chariot. This apparently symbolizes the belief that swans took to singing when the mild west wind blew.

Other myths

Zephyr and Hyacinth engaging in intercrural sex on a red-figure vase (5th century BCE)

In his most notable myth, Zephyrus fell in love with a beautiful Spartan prince named Hyacinthus, who nevertheless rejected him and became the lover of another god, Apollo. One day that the prince and Apollo were playing a game of discus, Zephyrus deflected the course of Apollo's discus, redirecting it right onto Hyacinthus's head, fatally wounding him. His blood then became a new flower, the hyacinth. In some versions, Zephyrus is supplanted by his brother Boreas as the wind-god that bore a one-sided love for the beautiful prince. Zephyrus's role in this myth reflects his connection to flowers and springtime as the gentle west wind, who, in spite of his traditional gentleness, is nonetheless a harsh lover like all winds are. Not every version of this tale features Zephyrus however, and his participation is a secondary narrative; in many of them he is absent, and Hyacinthus's death is a genuine accident on Apollo's part.

Another time, Zephyrus became lovers with another beautiful youth named Cyparissus ("cypress"). The youth, wanting to preserve his beauty, fled to Mount Cassium in Syria, where he was transformed into a cypress tree. This myth which might be of Hellenistic origin seems to have been modeled after that of Apollo and Daphne. It also, along with Zephyrus's role in Hyacinthus's story, fits the pattern–also fit by his brother Boreas–of a wind god appearing in the story of the creation of a plant. In all other narratives however Zephyrus is absent, and the role of Cyparissus's divine partner is filled by Apollo; furthermore, Cyparissus is transformed into a cypress by Apollo at his own request after accidentally killing his own pet deer, which caused him much stress.

Zephyrus also features in some of the dialogues by the satirical author Lucian of Samosata; in the Dialogues of the Sea Gods, he appears in two dialogues with his brother Notus, the god of the south wind. In the first, they discuss the Argive princess Io and how she was loved and got turned into a heifer by Zeus in order to hide from his jealous wife Hera, while in the second, Zephyrus enthusiastically recounts the scene he has just witnessed of how Zeus transformed into a bull, tricked another princess, the Phoenician Europa, into riding him, transported her to Crete and then mated with her while Notus expresses his jealousy and complains of seeing nothing noteworthy.

In ancient culture

Iconography

The horses on the Pergamon Altar, Berlin.

Like all the other wind gods, Zephyrus is represented in ancient Greek art with wings, due to which he is sometimes hard to distinguish from Eros, another winged youthful god, though tellingly unlike Zephyrus Eros is not depicted pursuing males. In ancient vases, he is most commonly pursuing the young Hyacinthus or already holding him in his arms in an erotic and sexual manner; on a red-figure vase in the Boston Museum of Fine Arts, Zephyrus's erect penis thrusts into the folds of the young man's clothes as they fly together, while vase 95.31 from the same museum depicts intercrural sex between the two. Various other vases also show scenes of Zephyrus grabbing and seizing Hyacinthus.

On the Tower of the Winds, a clocktower/horologion in the Roman agora of Athens, the frieze depicts Zephyrus alongside seven more of the wind gods above the sundials. Zephyrus is presented as a beardless youth carrying a cloak full of flowers.

On the Pergamon Altar, which depicts the battle of the gods against the Giants (known as the Gigantomachy), Zephyrus and the other three wind gods are shown in the shape of horses who pull the chariot of the goddess Hera in the eastern frieze of the monument; the equine forms of the Anemoi are also found in Quintus Smyrnaeus's works, where the four brothers pull Zeus's chariot instead.

Cult

Ancient cult of the wind gods is attested in several ancient Greek states. According to the geographer Pausanias, the Winds were jointly worshipped in the town of Titane, in Sicyon, where the local priest offered sacrifice to them, and in Coronea, a town in Boeotia. It is also known that the citizens of Laciadae in Attica had erected an altar for Zephyrus. According to a fragment doubtfully attributed to the fifth-century BC poet Bacchylides, a Rhodian farmer named Eudemus built a temple in honour of the west wind god, in gratitude for his help.

Favonius

Detail of Zephyrus with Aura from Sandro Botticelli's The Birth of Venus.

Zephyrus's Roman equivalent was called Favonius (the "favouring") who held dominion over plants and flowers, however 'Zephyrus' was also commonly used by Romans. Some later authors would also describe him as having wings in his head. The Roman poet Horace writes:

quid fles, Asterie, quem tibi candidi
primo restituent vere Favonii?

Why do you weep, Asterie, for the man whom the bright west winds
will restore to you at the beginning of spring?

Unlike Greek authors, Roman writers held that Zephyrus/Favonius married not Iris but rather a local vegetation and fertility goddess named Flora (identified and linked by Ovid with a minor Greek nymph named Chloris and her legend) after abducting her while she tried to run away and escape him; he gave her dominion over flowers, thus making amends for his violence and abduction of her.

Some analysts have suggested that Carpus, the son Zephyrus had by Hora/a Hora (season goddess), is supposed to have been actually mothered by Flora/Chloris instead, although this is not confirmed in any ancient text.

Genealogy

Zephyrus's family tree
Uranus Gaia Pontus Oceanus Tethys Hyperion Theia Crius Eurybia The Rivers The Oceanids Helios Selene Eos Astraeus Pallas Perses ZEPHYRUS Anemoi Astraea Stars Cronus Rhea Coeus Phoebe Hestia Hera Hades Zeus Leto Asteria Demeter Poseidon Iapetus Clymene (or Asia) Mnemosyne (Zeus) Themis Atlas Menoetius Prometheus Epimetheus The Muses The Horae

Gallery

• Zephyrus in Art
• 
  Flora and Zephyr by William-Adolphe Bouguereau, oil on canvas.
• 
  Statue of Zephyrus in Hermitage Hall.
• 
  Zephyrus and Boreas surround Oceanus in a mosaic from Portugal.
• 
  Zephyrus, Psyche and Eros, statue by John Gibson.
• 
  Zephyrus, 1878 engraving.
• 
  Statue of Zephyrus in Poland.
• 
  Zephyrus, Flora and Cupid by Antonio Balestra.
• 
  Zephyrus with Venus, Ariadne and Bacchus, eighteenth century.
• 
  Zephyrus and Hyacinthus red-figure, 440-420 BC.
• 
  Hyacinthus and Zephyrus. Attic Red Figure Kylix. Attributed to Manner of Douris Painter, 500-450 B.C.
• 
  Statue of Zephyrus in the gardens of Peterhof.
• 
  Zéphyr et Flore by Sebastiano Ricci, oil on canvas.
• 
  Engraving of Zephyrus.
• 
  Zéphyr et Flore, by Giambattista Tiepolo, ca. 1730-1735 in Ca' Rezzonico, Venice.

See also

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• Bacab
• Dáinn, Dvalinn, Duneyrr and Duraþrór
• Norðri, Suðri, Austri and Vestri
• Vayu
• List of wind deities

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External links

• ZEPHYRUS from the Theoi Project
• The Warburg Institute Iconographic Database (images of Zephyrus)
• Warburg Institute Iconographic Database (ca 40 images of Flora and Zephyrus)